Tuesday, March 8, 2016
I'm proud of my ability to compartmentalize. To prove my credentials in that regard, let's just say that 10-year-old me did not think there could ever be anything as good as Battlestar Galactica. I had a crush on Starbuck, I hero-worshipped Athena, and I hoped someday to have a robotic pet daggit of my own. But these nostalgic warm fuzzies didn't mean I couldn't enjoy, and in fact come to love, the new Battlestar Galactica mini-series television show. If I'd insisted on trying to make it into what I remembered from the original material, I would have missed one of the best science fiction television shows ever produced.
And now I find myself in a similar situation with the television show based on Lev Grossman's fantasy trilogy, which includes The Magicians, The Magician King, and The Magician's Land. I've read the first book four times, the second book three times, and the third book twice, which is quite a lot considering that the first book was published only seven years ago. So I may be a little ... over-invested in the source material.
In a way, these books could be described as "Harry Potter goes to college, finds sex and booze, discovers that Narnia is real, and learns that magic kind of sucks." But that's a little too facetious, because it doesn't represent how devastating it is for Quentin to have longed for something like this his entire life, only to discover that magic doesn't magically make him happy. It's also dangerous and ugly at times. Another reason this story resonates for me is that I feel that Quentin's discontent parallels that of many writers: they think they're going to be happy if only they can get this one story, this one book, this one trilogy published, but it often isn't quite the magic they were hoping for. It may be wonderful, but it doesn't fix their lives.
And along comes the Syfy Channel television show The Magicians. I was initially disappointed to find that Brakebills had been turned from a college into a graduate school, presumably so the show could sex it up a bit more. I was also worried about the fact that the cast looked much too pretty, and would seemingly be dressed like the characters in that 1996 teen witch movie The Craft much of the time. But I was determined to give it a try, so I watched the pilot. Hmmm. Lots of stuff to like. Lots of stuff raced through too quickly. And holy cow, they were already introducing elements from the second book!
But I decided to keep watching, and boy, am I glad I did. As of last night, we're eight episodes in, and I'm finally viewing this show as this show, instead of over-analyzing every deviation from the books. To be fair, I do still harp a little on a few of the differences, but I don't think I'm obsessed with them. And that's compartmentalization: remembering that reading the books and watching the show are two different experiences. Which is perfectly okay.
What we've been seeing in the television show is mostly from the second book, and is a storyline I love so much that I've been known to re-read only the "Julia" chapters in that book from time to time. This is where it's hardest for me to separate the books from the show, because in the show, this has all happened way too fast for my taste. Unlike in the books, Julia doesn't have to gradually find her way into the world of hedge witch safe houses; instead, she's recruited by a guy in a bar. I liked it much better when she spiraled out of control because she wasn't finding any proof that she could pursue magic; she decided to give it up not because of a nasty rival but because she saw that her fruitless pursuit was ruining her life; and then she discovered an online chat room that after many months (and tests) led her to a group that could actually teach her a thing or two. That said, I'm guessing that's where we're headed with the new chaplain/hedge wizard we met in Episode 8 last night. I do recognize that with television pacing, they really couldn't have Julia tramping around for months solving esoteric puzzles. So while I understand these changes, they were the hardest for me to accept.
As for the actor, I think that other than her Craft wardrobe, which always looks stylish even when she's supposed to be hitting rock-bottom, Stella Maeve pretty much looks and acts exactly as I would envision Julia. I did think the trick that she and head hedge witch Marina played on Quentin was a little too cruel to be believable for her character, but again, that's the writing, not the acting, and it certainly advanced the story line.
Speaking of Marina.... I have to admit that I'm not crazy about the Marina - Kady - Hannah storyline. Unless I'm remembering incorrectly, none of these characters appear in the books, and if they do, I think only the character names have been used. Long story short, Marina (Kacey Rohl) is the top hedge witch in "the city" (presumably New York) who enjoys sadistically tormenting those under her. Kady (Jade Tailor) is a first year Brakebills student, and, incidentally, Penny's love interest. We learn that Kady is stealing things from Brakebills and delivering them to Marina. Then we learn that Kady is doing so as payment for mistakes her mother Hannah (Amy Pietz) made in the past that are somehow related to Marina. Julia meets Hannah after Marina kicks Julia out, due to her actions during their Quentin mind-rape and Brakebills heist. Hannah begs Julia for help getting some magic back, with disastrous consequences.
Yeah, it's a little convoluted. But maybe it was necessary to set up some traditional antagonists now, before jumping into Fillory, especially as The Magicians is intended to be a continuing series, and was just renewed for a second season. For that reason, it seems likely that the show will diverge more from the books as time goes on. I just found it a little over-the-top: Marina is a little too sadistic, Hannah is too much of a magic-junkie, and Kady is a little too angry-emo for my taste.
I also have a few nitpicks in the show's universe-building. For instance, the students seem permitted to just find and experiment with spells without supervision. Oops, we were trying to make magic gin, and got a djinn instead! Funny, but also difficult to swallow. Similarly, this magic seems more generic and all-powerful that it should be. I love the way they're doing the intricate hand motions, but Julia, for instance, turns her regular keychain into a Narcotics Anonymous one while pretending to her boyfriend that her behavior is due to prescription drug addiction. We've been led to believe that casting a spell depends on recognizing precise "circumstances" (phases of the moon, position of the stars, barometric pressure, whatever), using elaborate hand motions, and, usually, reciting an incantation, at least in the early stages of magic learning. But Julia essentially wills her keychain to change, or look like it's changed, just by thinking about it.
I also dislike the way the Brakebills students are constantly being told they're likely to flunk out and have their minds wiped, and I really disliked that Eliot and Margo were allowed to torment the first-year students with a high-stakes exam, as though they run the school themselves. I also think Brakebills math is a little fuzzy, because the number of students at the school, and indeed, just in the Physical Kids' house, seems a little high, after taking into account how many times we've been told that so many students have flunked out, and most of an entire class disappeared not that long ago.
However, there are lots of things that I've loved. See above re: much of the casting. The effects are gorgeous. The Beast was oddly terrifying, just like in the books. And they gave us Brakebills South! It's like they knew the books' readers couldn't live without that.
It's been a while since I've enjoyed a show quite this much. I also loved the recently finished second season of Marvel's Agent Carter, but The Magicians appeals to a different part of the brain. I can't wait to see where it goes.