Showing posts with label free fiction. Show all posts
Showing posts with label free fiction. Show all posts

Tuesday, October 13, 2020

Private Snafu Flies to the Moon!


[NOTE: click text images to enlarge.]

Private Snafu Flies to the Moon!

by Amy Sisson

"How is this possible?" General Hanson demanded. "The troops I've been getting up here are a goddamned disaster! We've had three casualties in a month, and we're just lucky that last one didn't take the rest of his unit with him." He snorted. "Taking a smoke break in an airlock, for chrissakes!"

"Yes, sir," the general's assistant replied. "Um, sir," he continued, gesturing to one of the people who had just entered the tiny office behind him, "this is Colonel Harrison Parker, the education and training expert you requested."

The general looked Parker up and down as the younger man saluted. Parker was a slender man of African descent, with intelligent eyes and smooth skin that could put him anywhere between thirty and forty years old. A woman who looked to be in her early thirties stood next to him; she had expressive brown eyes and short curly blond hair tucked neatly beneath a regulation cap. The General noticed that both of the new arrivals were trying hard not to gape at the moonscape visible through the triple-paned window behind him. It was the one luxury he'd insisted upon in his spartan office, and he always enjoyed the effect it had on first-time visitors to the base.

"And this is?" the General said, jerking his chin towards the woman.

"Captain Margaret March," Hanson's assistant said. March dragged her attention away from the window and saluted smartly. "She's also a doctor -- not medical, sir," he said. "She's a military historian, working with Colonel Parker on analyzing the success and failures of past training initiatives."

"Ah. Well, welcome to Armstrong Base, Colonel, Captain," said the General. He turned back towards Parker. "So, Colonel, as a training expert, maybe you can tell me why our newest recruits are such a sorry bunch that I'm embarrassed to have them on my base. It's almost the 1990s, for chrissakes, and instead of that 'No Citizen Left Behind' bullshit that was supposed to be working by now, our own Electronic Internet Communication page says that to join the Army, a high school diploma is, and I quote, 'most desirable.' It's not even required!"

Captain March spoke up for the first time. "Actually, sir, that level of minimum qualifications goes all the way back to 1966, when the military officially lowered the literacy standards. There were a lot of objections at first, but in 1971," she paused to consult her Portable Access Device, "Study SFHRL-TR-71-13 concluded that 'men who were successful and unsuccessful in reaching the fifth-grade level of literacy in remedial training did not differ greatly on most indices of military status and performance.'"

"I don't care what that report says," the General shot back. "It was one thing back in Vietnam. Sure, there were hundreds of ways to get yourself killed, but pushing a button because you couldn't read the words 'Airlock: Do Not Open' wasn't one of them."

"That didn't actually happen," Hanson's assistant said quickly to Parker and March. "We have safeguards in place...." His voice trailed off as he noticed the General's glare.

"Parker!" General Hanson barked. "You're the training expert. How the hell is the Army Space Wing supposed to train a bunch of recruits who can't read?"

"Actually, sir, we do have an idea," Parker said.

"I'm all ears, Colonel."

"Feelies, General Hanson."

"What?"

"Feelies, sir. Interactive three-dimensional films with extra physical effects added in, like fans when the wind is supposed to be blowing, water droplets when it's raining, even specific smells that go with the story. So far only a few experimental films have been developed, but the test audiences have gone crazy for them."

"And how does that help us?"

"Training films, sir. Any military psychologist worth his salt will tell you that lessons backed up with tangible physical effects are much more likely to be retained. Just think, if a GI gets a mild electrical shock--"

"What!"

"--right when the soldier in the film pushes the airlock button--"

"No," said the General. "It'll never go over. Those human rights fanatics...."

"We're talking about extremely weak shocks, sir, mildly uncomfortable at most and over so quickly they'll wonder if it really happened. It'll affect their retention of information, but a lot of them won't even consciously note that it's happening. And even if the GIs notice, I don't think they'll complain as long as we make the films entertaining enough. Hell -- sorry, sir -- heck, I wouldn't be surprised if they consider it all part of the fun."

"How are we supposed to make getting zapped fun?" Hanson asked, still skeptical.

Captain March spoke up. "We bring Private Snafu back to life, sir."

"Who the hell--?"

"Private Snafu, sir. He's a character that was used in cartoon training films back in World War II. He basically does everything wrong: tells classified secrets to a sexy blonde, doesn't take his malaria meds, doesn't clean his gun properly. So he ends up dead or shot in each cartoon, in a way that's ridiculous but still gets the point across. There's even one where he literally ends up in Hell, sitting in a cauldron while Hitler stands over him -- we can use fans to blast heat through the training room," she said, stopping to make a notation on her PAD. "Anyway, sir, the cartoons, they were a little racy for the times, but the trainees loved them. And they were specifically created for soldiers with low literacy skills."

General Hanson groaned. "But if the press gets hold of this.... Even the name -- how do we get away with having a training role model whose name stands for 'Situation Normal, All F---"

"All Fouled Up, sir," March said brightly. "That's even part of the gag. Everyone knows what it really means, but the cartoons always substituted the word 'fouled' at the last possible second. And he's not really a role model, sir, he's an anti-role model. But a loveable one."

The General was silent for a moment as he chewed the idea over. Then he looked at Parker. "And you're on board with this?"

"Yes, sir," said Parker. "Captain March came to me a few months ago and we've been poring over the archives. This stuff worked back then, sir, and when we add the feelie tech to it, well, I think it may just change the face of military training."

The General sighed. "I'm going to regret this, aren't I," he said to nobody in particular.

"If you say so, sir," his assistant said obediently.

"Oh, shut up, McClure," said the General.

"Yes, sir," the hapless assistant said, standing up even straighter than before.

Parker and March glanced at each other and tried not to look triumphant. Without words, they agreed that now was not the ideal time to bring up Private Snafu's brothers, Tarfu and Fubar.

Two weeks later, having regained their Earth legs, Parker and March were ushered into a living room that in spite of its opulence had clearly seen better days. The secretary or housekeeper or whoever she was left them sitting on a faded but comfortable sofa and stalked out of the room without a word, clearly resentful of their intrusive presence in her employer's home.

Parker nudged March and jutted his chin towards a series of framed animation cels occupying the spot of honor over the fireplace. All of the biggies were there: the duck, the pig, the cat, the canary, the skunk, and that ridiculous rooster. And, of course, the rabbit. Parker and March grinned at each other like a couple of schoolchildren playing hooky at a matinee.

"Yes?" said a voice from the doorway. No, not a voice. The voice. And like the housekeeper, the owner of this voice did not seem altogether pleased at this disturbance to his routine.

Parker and March stood quickly. "Mr. Blanc, sir," said Parker. "I'm Colonel Harrison Parker and this is Captain Margaret March. We're here to tell you that your country needs you, sir."

Blanc snorted. "That's rubbish, son."

"Sir -- oh, and I'm obligated to notify you that this conversation falls under the Official Secrets Act of 1957; you may not repeat anything said here today to anyone outside of this room." A glare that could have stopped the countdown timer on a bomb made Parker decide to skip the rest of the formalities. He cleared his throat. "Mr. Blanc, the United States is in the process of sending several General Infantry units to the Moon for the first time in history. We have reason to believe that China and the Soviet Union are planning a surprise attack on our base up there from a secret installation they've been constructing on the far side of the Moon."

Blanc remained standing, thereby forcing Parker and March to do the same. Parker couldn't help noticing that the older man looked distinctly unimpressed.

"Even if I believe that load of nonsense, son, what could that possibly have to do with me?"

"Private Snafu, sir."

"Private Snafu -- what? You must be joking; hardly anyone has even heard of him."

March jumped in. "That doesn't mean he wasn't effective, Mr. Blanc, just that we have short memories in peacetime. I'm a military historian, and a bit of a popular culture buff. Colonel Parker and I have seen every Private Snafu cartoon that we could find -- they're available at the Library of Congress, you know. More importantly, I've read dozens of old reports that tell us that units exposed to the Snafu cartoons improved in adherence to safety regulations, weapons handling skills, combat readiness...."

"I still don't see what Snafu has to do with sending troops to the Moon."

Parker took over once again. "Mr. Blanc, because space-based operations require such intensive training, up until now almost all of our troops stationed on the Moon have been Special Ops, the best of the best. But we don't have nearly enough of them. We have to start sending regular GIs, we have to train them quickly, and we have to reinforce certain safety regulations for a population that does not always learn effectively from lectures and traditional training methods. We need to give them critical information in a way that's quick, entertaining, and as memorable as possible."

Blanc remained skeptical. "If you two know as much about cartoons as you say you do, you must know that I haven't done any serious voice work since my car accident in 1961. I'm out of the game now. And besides, I didn't write that material."

"We understand, Mr. Blanc, but you were Private Snafu. Surely you can be him again," March said.

"Surely someone else can do it," Blanc countered.

"I've heard some of the successors who took over your other characters," March said, gesturing towards the portrait gallery over the fireplace. "They're good, sir, but they're not you. You could make memorizing the multiplication tables hilarious. And memorable, sir."

Blanc sat at last, in a faded chintz wingback chair, which Parker and March interpreted as a minor victory. They both sat back down on the sofa and tried to hide their relief.

"Just out of curiosity," Blanc said, "what types of 'lessons' do you have in mind? I hope by now we're beyond all that 'loose lips sink ships' and venereal disease nonsense."

"Of course, sir," said Parker. "We're talking about spacesuit safety checklists, airlock procedures, weapons training -- everything works differently in the space environment, Mr. Blanc. It's the new frontier and we have to defend it, but unfortunately the number of ways you can accidentally kill yourself in space is, well, difficult to believe if you haven't been there."

Blanc was silent as he contemplated the worn Oriental rug underneath the heavy coffee table. Parker and March counted every second of that silence as one tick closer to their goal.

"I'll think about it," the older man finally said. Parker opened his mouth to thank him, but Blanc cut him off before he could get a word out. "I said I'll think about it, son. No promises."

"Yes, sir," said Parker. "Um, Mr. Blanc, there's one more thing you should know. Are you familiar with the term 'feelies?'"

Three hours later, the housekeeper, whose name turned out to be Mrs. Johnson, brought yet another fresh pot of coffee. She shook her head at the crumpled pieces of paper strewn about the coffee table, and rearranged the remaining chocolate chip cookies on the now somewhat depleted platter. But Parker thought he detected an approving gleam in her eyes; maybe seeing her employer so obviously engaged was enough to make up for their intrusion after all.

"I don't think we should tell the soldiers about Snafu up front," Blanc was saying. "Make them think it's an ordinary, boring training vid, then have Snafu appear in the middle of them and start doing his thing. Better yet, have Technical Fairy First Class pop in. You remember him?" He chuckled. "And the whole thing's going to be three dimensional, right? So it'll be like Snafu's really come to life right there with them?"

"Yes," Parker said. "And we can use Snafu on signs around the base. You know, a reminder by the airlock to follow proper suit procedures, that kind of thing."

"Or a ten or twenty-second vid that's activated when someone comes into the area or initiates a certain procedure or computer command," March said. "We can put small monitors all over the base, change up the content often enough that it becomes a game to watch for new material."

"Do you think we should incorporate the Russians and the Chinese?" Parker asked. "The way the German and Japanese were portrayed in the originals was a little...."

"No, it was a lot," said Blanc. "Different times, son."

"Yes, we'll have to work on that," March said. "But really, most of the material will be about safety procedures -- we may not need to put the enemy in there at all."

"Should we stick with the rhyming schemes?" asked Parker. "Or is that too dorky?"

"It's pretty dorky," March admitted. "But the cartoons got good results. Why not test it both ways and see what works?"

Three GIs, two male and one female, stood in the mock airlock room. In addition to their everyday work uniforms, they wore large, clumsy-looking gloves and lightweight visors that resembled welder's masks with multicolored wires sticking out of them. Parker stood with them, similarly suited up, although with certain wires discreetly disconnected. He gave the signal, and March, on the other side of a large two-way mirror, hit the switch.

A door on the opposite wall slid open, or seemed to as far as the trainees were concerned. March, watching a large screen in the observation room, was able to see everything as Parker saw it, thanks to the POV camera hooked up to Parker's apparatus.

"A-ten-HUT! " said the virtual drill sergeant who walked into the room. The men, even Parker, automatically snapped to attention. "Private Snafu, I said a-ten-HUT! Front and center, Private!"

A funny little man appeared from behind the group, shuffling his way to the front of the room. He stood at exaggerated attention before the sergeant, who then ordered him to turn and face the company. Unlike the sergeant, who looked completely real to life, the private was a three-dimensional animated cartoon caricature, with a bulbous nose, huge ears, and an old-fashioned uniform, right down to the cap perched on his mostly bald head. On his back he carried a ridiculously stuffed pack, with random straps holding all sorts of odds and ends, including a bow and arrow and a tin tea cup. He turned his goofy grin on the trainees, one of whom snickered.

The sergeant turned to that trainee. "Did I say something funny, Private?"

The GI was startled. "Uh, no, sir," he said, and stood up straighter. The sergeant glared at him and then turned back to Snafu.

In the next room, March grinned. The programming was masterful; within limits, the video-generated characters could interact with the soldiers, bringing training vids to a level never before seen.

"Private Snafu and Private Upright," the sergeant barked. Yet another generated character, this one seemingly human like the sergeant, stepped through the ranks from behind to join Snafu. "Kindly demonstrate for this bunch of useless grunts the proper way to put on a spacesuit."

"Yessir," Snafu and Upright said in unison. Upright walked over to where a virtual bank of suit lockers lay superimposed over the empty wall that was really there. Snafu busied himself wiggling out of his pack, which suddenly burst under the strain. The GI trainees jumped in response to the mild -- extremely mild, March reminded herself -- electrical shocks that they received at the exact moment the pack burst, then laughed as Snafu's equipment appeared to bounce and clatter every which way before fading out of existence at the edge of the scene.

"Snafu!" roared the sergeant. The trainees laughed again. Snafu rushed over and opened the locker next to the one from which Upright had pulled a spacesuit. March noticed that the trainees were still watching Snafu, and made a note on her PAD. The script should be altered to have the sergeant order Snafu back to stand with the other grunts at this point, so the trainees would keep their attention on Private Upright during the actual suit-up procedure. Then Snafu could get it as comically wrong as he liked. Right way, wrong way, right way, March noted on her PAD.

General Hanson skimmed over the latest hardcopy report from March and Parker. He grudgingly admitted to himself that the dynamic duo, as he had privately dubbed them, seemed to know their stuff. The Snafu initiative was technically still in pre-deployment testing, but average scores during safety regulation drills were noticeably improving among the early test subjects.

Attached to a report was an approval form for Snafu-related expenses. Hanson sighed. Apparently there was no end to a base commander’s paperwork, and even if he finally let McClure talk him into using a PAD, it would still be paperwork as far as the general was concerned. He initialed each line item automatically, pausing only when he saw the cost for the Artificial Intelligence consultant that Parker and March had requested for heightened program interactivity or some such. A vein in Hanson’s temple throbbed but he initialed the line anyway. He was already in for far more than a penny, after all.

McClure poked his head in the door. "Anything else before I call it a night, sir?" he asked.

Hanson grunted a negative and McClure turned to go. The General dealt wearily with the last few items in his inbox and then heaved himself to his feet to see what grub he might find in the mess hall at this hour.

Unsurprisingly, the mess was almost empty, with the exception of four soldiers sitting in a back corner over their now-empty coffee cups. New arrivals by the looks of them, thought Hanson. One by one they noticed him and fell silent, exchanging nervous glances.

"As you were," muttered Hanson. One of the fresh-faced GIs tried to re-establish the group’s relaxed camaraderie, with only limited success. Internally Hanson sighed. This was why he avoided the mess hall during regular meal times; his presence was always a wet blanket. The chow line had already been cleaned up, so he ducked into the kitchen and filled his tray from the fridge without bothering to reheat anything.

Halfway through his cold mashed potatoes, Hanson looked up at the sound of the door sliding open. It was Parker and March, deep in conversation. Hanson waved them over, happy to see two people who either weren’t afraid of him or didn’t know enough to be afraid of him. March sat down, and Parker followed after grabbing two cups of coffee from the auto-dispenser. The group of GIs looked relieved at this interruption, and took the opportunity to leave the mess hall as quickly and unobtrusively as possible.

"How goes it?" said Hanson.

"Terrific, sir," said March. "We’ve been tweaking the program’s response matrix, and it gives an appropriate answer about seven times out of ten."

"Yeah, it’s those other three times we have to worry about," Parker said. "We gave the program access to all of the original Snafu material to give it the right 'flavor,' and now every once in a while Snafu tells a GI to keep his pants zipped when he should be telling him how to zip his spacesuit or something."

"Oh, come on, you’re exaggerating," said March. "He's exaggerating, sir," she added to Hanson.

"Not by much," Parker said, but conceded the point with a smile.

"Here, General, I’ll show you," March said. "Do you mind if I use the wall screen?" The General nodded his assent and March activated her PAD. A few additional clicks brought the nearest wall screen to life, just in time to show Private Snafu snoozing face down on top of a pile of blankets. His lips sputtered in perfect sync with his loud snores.

"Snafu!" March said, clearly embarrassed. "Wake up!"

Parker looked sheepish as well. "Sorry, sir," he said to the general. "He does that when he’s in inactive mode."

"He?" the General said, raising an eyebrow.

"It," amended Parker. "The program."

Hanson opened his mouth to ask a question, but closed it again with a funny expression. "That's odd," he muttered.

"Sir?" said March.

"What? Oh, nothing," said Hanson. "My ears just popped."

"Mine too," said March and Parker together. They started to laugh, but stopped when they saw the look on the General's face.

"Damn!" said the General, getting up. Parker and March also started to rise as the General strode towards the door. "Loss of air pressure," he said over his shoulder. "Human ears are more sensitive to it than any detector we've been able to come up with--"

Just as he reached the door, a klaxon sounded three long and two short blasts, followed by the dispassionate voice of the Central Computing System. "Warning. Minor loss of pressure indicates possible hull breach. Implementing isolation procedures. Warning. Minor loss of pressure indicates possible hull breach. Implementing isolation procedures." A red light went on over the mess hall door, indicating that it would no longer open without explicit override authority.

"Sir?" said Parker.

"Don't panic, son," said Hanson. "Either a seal has developed a minor crack somewhere or there’s been a micrometeorite impact. That's not good, but if it were immediately catastrophic, we'd already be unpleasantly aware of that fact." He pressed a comm channel button on the wall panel by the door. "Base," he said, addressing the CCS. "Where is the breach?"

The length of time before the CCS responded was disconcerting. "Breach is located somewhere in crew areas," it finally said in its detached voice. Hanson frowned; that didn't rule out much beyond the cargo bays.

"Ultrasonic background noise detectors are offline. Unable to determine the exact location of breach."

March and Parker exchanged worried glances. They were still new to the space environment and were unsure how serious the situation would get and how quickly.

Hanson remained calm, at any rate. He opened a base-wide channel. "This is General Hanson. I’m in the mess hall at the moment. Senior staff, report in rank order with your current position and status. Does anyone have a fix on where the breach happened?"

One by one, the senior officers reported back with negatives on the breach location. Hanson then requested that any personnel with additional information report in, but no answers were forthcoming. He ordered the Tech Chief to work on getting the UBND system online, but the Chief was stuck in a bathroom and didn’t have access to anything beyond the simple comm system. Hanson could order the CCS to override the doors, but doing so before pinpointing the breach was not an appealing option.

Hanson sighed, and glanced up at Parker and March. "We’re still okay," he said. "If it were a large breach, believe me, we’d know exactly where it is, so I don’t think there’s much immediate danger. It would be good to patch it sooner rather than later, though."

Suddenly they heard a faint nasal humming behind them, and a huge, noisy yawn. All three of them looked around, momentarily confused, then noticed the wall screen, on which a still-sleepy Snafu stretched and sniffed the air. "Sorry, sir," March said to the General. "Snafu woke up."

"So I see," said the General.

Snafu piped up in his characteristic sing-song voice. "I might-a slept a little late, but for my grub I cannot wait; a gutsy soldier I can't be, unless I have some food in meeeeeeeee." He stretched once more and began shuffling his feet. In typical cartoon fashion, he appeared to be walking in place while a background, consisting of an improbably long row of kitchen cabinets, moved along behind him.

"Turn that thing off," snapped the General.

"Yes, sir," March said, manipulating her PAD. She stopped, flummoxed, and jabbed a control key a couple of times. "Um, sir?" she said. "The wall screen isn't responding to my commands. I don't know why -- maybe the CCS is diverting all its resources to other systems?"

"Oh, for chrissakes," said the General. "Try to keep it quiet, at least."

"Yes, sir," March said, and threw Parker a "do something" look. Parker shrugged, helpless, as Snafu got down on all fours and poked his head into a kitchen cabinet, his large backside sticking out and momentarily filling most of the screen. Snafu began tossing out clanging pots and pans, followed by some dubious items: a hammer, an oversized piggy bank, an alarm clock, and three large eggs that broke on the floor behind Snafu before floating back up around him as zero-gee blobs. Snafu extracted himself from the cabinet and began trying to catch the bobbing yolks with a butterfly net.

"Snafu!" March said, in an urgent whisper.

Giving no sign of hearing her, Snafu continued trying to catch and make his breakfast. Once he had finally corralled the eggs, he went to a refrigerator that had conveniently materialized behind him, from which he collected a carton of milk, a frying pan, a long-handled saw, and a canister of flour. He stacked them in a precariously tall tower and carried them one-handed back towards a newly appeared stove.

Suddenly a claxon, sounding suspiciously like a braying donkey, sounded from the screen in the same three-long-two-short pattern that the CCS had used to signal the breach. Startled, Snafu leapt into the air, causing his tower to teeter and collapse. Everything went flying. The eggs, suddenly controlled by gravity once again, dropped one by one onto Snafu's head, and the lid of the flour canister bounced away as the container hit the floor. A swirling cloud of flour rose in the air and began adhering to the egg that were now dripping down Snafu's face.

"Snafu!" roared the General. "Can it!"

"Yessir, will do, sir, yessireeeeee--"

"Snafu!" shouted Parker and March together. Snafu finally fell silent, and his dripping face now had the grace to look a little abashed. But his nose started twitching from the flour, and although he valiantly tried to hold it in, he sneezed violently, sending the cloud of flour into the air once again. It slowly resolved into a pattern of little white birds flying in a circle around Snafu's head.

The General stared at the screen. Seconds ticked by, during which Parker and March clearly wished they could melt into the floor.

Suddenly the General grinned. "I'll be damned," he said. He stomped back to the door and activated the comm system once again. "This is General Hanson. All personnel note that the UBND system is offline and has not been able to locate the breach. Look around your immediate area for any materials you may have at hand, like flour, dust from the airvac system, experimental materials for those of you in the lab areas. Anything fine-particled should do. Toss a few handfuls in the air -- be careful not to breathe it in and make sure there's no static electricity -- and watch how it moves on the air currents. If the breach is in your area, you should be able to detect it. Report back anything unusual ASAP. Hanson out."

He turned back to March and Parker. "Basic low-gee physics," he said. "I should have remembered that right away."

"Yes, sir," March and Parker replied.

"And uh, thank you, Snafu," said the General.

Snafu grew wide-eyed, then saluted. "YESSIR!" he shouted with great enthusiasm.

"Carry on, Snafu," said Hanson.

Miraculously, the kitchen behind Snafu vanished and was replaced by a canteen. Snafu swaggered up to the bar and ordered a root beer. He quaffed it in one gulp, and addressed the cartoon barkeep, who was polishing a mug.

"Hey there, fella, wait and see; I’ll be a corporal, one two three!"

"I thought you said you'd decided against those damn rhymes," Hanson said weakly.

"Yes, sir, we did," said March. "But the program reacts more spontaneously now due to the AI enhancements, and, well, I guess he, um, it still likes to rhyme. I can try to make him stop doing that if you like, sir."

"Oh hell, we’ll worry about that later," the General said, and laughed in spite of himself.

This story ©2020 by Amy Sisson. The original material for the video, and the Technical Fairy First Class/"The End" images, are in the public domain; this adapted video was edited for this story by Heidi Berthiaume. The NASSAU and rocket ship graphics were created by John Eckelkamp for this story. Read more!

Thursday, July 6, 2017

Two New Short Stories - July 2017

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I have two new stories out this month, both free to read at the links below.



"Jackpot Time"

Every day, Cass puts a quarter into "Bessie," the slot machine at the Lovelock Grand View Cafe. Is it possible Bessie might give her something special in return? This story appears in Issue 19 (July 2017) of the Devilfish Review.
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"Ménagerie in Motion"

With animals ranging from a lynx kitten to a floating yellow angelfish, Armand's Amazing Traveling Ménagerie is on the move yet again. But how long can Armand keep the Ménagerie in motion all by himself? This story appears in the Summer 2017 issue of Syntax and Salt.

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To see a complete list of my published short stories, click here.

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Read more!

Wednesday, April 26, 2017

Audio teaser: Places We Call Home

This is a 52-second audio teaser for my recently published story "Places We Call Home", narrated by Lauren Harris and produced by Bryan Lincoln.



To access the entire story in audio or text, click here.

And here is the same snippet in text form:

ONE OF MY MOST VIVID MEMORIES from our time on Radu IV is hearing my nanny calling, or rather trilling, “Faeeeerrrin! Faeeeerrrin!” He did this every evening after the first sunset and before the second. His inflection, alien but familiar, made a song of the name, so beautiful that even now the memory brings back feelings of safety and longing and loss.

Safety because those were the days when I knew my world, and felt safe in it. Longing because Anyuen wasn’t calling me; he was calling Faren, my baby sister.

And loss because Faren is lost to me forever.


Read more!

Friday, April 14, 2017

New Story Podcast - Places We Call Home

I'm happy to announce that my novelette titled "Places We Call Home" is now available in the April 2017 issue of Perihelion. It can be read as free online text, but even better, it's available in podcast form (also free), narrated by the talented Lauren Harris and produced by Bryan Lincoln.

In this story, Bronwyn realizes that her younger sister Faren is suffering from neeranji, an alien form of homesickness. With time of the essence, Bronwyn must ask herself what she is willing to sacrifice to make things right.

I started this story in the year 2000 while attending Clarion West, but it just wasn't working. In the years since, I returned to this story over and over, trying to capture a specific emotion that eluded me. Aside from the first paragraph, which remained unchanged during fifteen years of revision, I finally got the rest of the story just the way I wanted it. Now I consider this my most fully realized story to date.

Read -- or, better yet, listen to -- the story here.

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Several of my other stories are available as podcasts as well (click on "Read more" for links):

(* this episode consists of several bear-themed flash stories) Read more!

Saturday, October 1, 2016

New Short Story in "Abyss & Apex"

Study. Learn. Know.

My short story "Study. Learn. Know." is now available in the 2016 4th quarter issue of Abyss & Apex. This is a far future science fiction story about hermit crabs, scholars, and AI programs. Read it free here!

Funnily enough, my biography at the end of the story, which I just e-mailed to the magazine a day or two ago, says that my husband and I live in upstate New York. Except we moved to Houston almost thirteen years ago. Freudian slip?

Short fiction reviews coming within the next few days....


[Please disregard the "read more" link at the end of this post.] Read more!

Thursday, July 21, 2016

July 2016 Publications

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My 2007 story "Waterfall" appears as a reprint today in Expanded Horizons. Here's where to find that story as well as my other July publications:


"Waterfall"

In the future, art may take on forms we can't yet achieve. But the more things change, the more they stay the same. Originally published in the September 2007 issue of Khimairal Ink, this story about an artist's muse also appears here in Expanded Horizons (free).


"Leeland and Dunce, On the Case"

Special Agent Leeland and Special Agent Dunce have gotten a tip that a very serious crime is in progress. Read it free here at Every Day Fiction.


"Suicide Club"

My short story "Suicide Club" has been reprinted in Trigger Warning: Short Fiction with Pictures, and is accompanied by a killer illustration (no pun intended) by artist John Skewes. Read it free here.


"Daisy, Cactus, Porcupine, Ghost"

Even brief encounters can make lasting, life-altering impressions. This 600-word short story appears in Zetetic: A Record of Unusual Inquiry, and is free to read here.


"The End of the World Is, Like, So Boring"

Originally published with a slightly different title in Perihelion in July 2015, this story is now available as part of Digital Fiction Pub's "QuickFic" feature here. Find out what a girl does when her friends have disappeared and, like, nobody is answering their cells!

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Monday, July 18, 2016

Monday Morning Fun!


My story "Leeland and Dunce, on the Case" is out this morning from Every Day Fiction. A lot of my stories are on the serious side. This one? Not so much! Enjoy it free here.



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Thursday, June 23, 2016

Story reprint (first time online) - Suicide Club

I promise this blog will return to mostly reviews in the very near future, but I wanted to mention that one of my short stories, "Suicide Club", has just been reprinted in Trigger Warning: Short Fiction with Pictures, and I couldn't be more thrilled! This is the first time I've had a story illustrated, and I think artist John Skewes really did the story justice -- I just love his style.

The story is short, at only 1,500 words. In light of full disclosure, please be aware that "Suicide Club" is not a cheerful story. However, aside from a little profanity, it's not graphic. (And it's also not autobiographical!) If you want to find out what the first rule of "Suicide Club" is, click here.

Last but not least, there's one aspect of the story that people tend to interpret in different ways. To get a better idea of where people stand on that, I've created a very brief, three-question survey here. I'd appreciate your feedback!



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Thursday, June 16, 2016

New short story - "Daisy, Cactus, Porcupine, Ghost"

My short story "Daisy, Cactus, Porcupine, Ghost" was published today on Zetetic: A Record of Unusual Inquiry. Got two minutes? It's only 600 words! Read it for free here.



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Thursday, June 9, 2016

The Grand Tour: A Piece of Flash Re-inspired by a NASA "Travel Poster"

Earlier today I came across a post about these lovely retro-style "travel" posters created by the design studio at NASA’s Jet Propulsion Labs. The Jupiter poster is my favorite by far, but the "Grand Tour" poster reminded me that not long ago, I had played with creating a flash fiction story with that exact title. So I just peeked back at the story, made a few little tweaks, and present it here, just for fun.

[Image by Jet Propulsion Labs Design Studio]


The Grand Tour: A Silly Flash Story in 1,000 words

by

Amy Sisson


Three weeks into the twenty-five month voyage, Stacey had to admit it to herself. It wasn't the Grand Tour she'd wanted, exactly. It was being able to say that she'd done the Grand Tour.

It had sounded so exciting: fly-bys of the Moon, Mars, Ceres, and Jupiter. Stacey remembered the fuss everyone had made when that Bobby kid returned from the first Grand Tour. He was sixteen when he'd left, but turned eighteen en route -- that was the cut-off; you had to be of legal age by journey's end. He was the first kid on a long-duration voyage, and the world treated him like a rock star.

Stacey read about the upcoming second tour. It would take longer than the first, due to orbital mechanics, whatever those were. So at not-quite-sixteen, she would be younger than Bobby when he'd left, but could still make the cut-off. She immediately started petitioning her grandparents to buy her passage. It took more than money, she knew, but Gramps was connected. That was easy, actually; getting her parents' approval was something else. But Stacey was good at getting what she wanted. She reminded them that only one other teenager had done it, so she would practically be guaranteed admission to any college on the planet when she got back.

And here she was, stuck in this tin can for the next two years. What had she been thinking? She was the only one on the ship younger than thirty-five. She'd known it was silly, but Stacey had secretly hoped for a dazzling interplanetary romance -- that really would have gotten some attention.

So yeah, this whole thing pretty much sucked.

To be fair, some of the passengers were okay. Sofia was a composer, for instance, and even though she mostly did classical stuff, she'd worked with some famous pop stars and didn't mind sharing the juicy rumors. And Gerald, a doctor, seemed happy to have Stacey onboard, even if it was only because she provided a little age variety for his research. In return for his promise of a kick-ass recommendation letter, Stacey agreed to be one of his guinea pigs.

Stacey's favorite, though, was Alina, who had a slight Russian accent and looked young enough to be Stacey's sister. Alina took Stacey seriously -- well, mostly. She did call Stacey "rich girl" but not unkindly. And she could be kind of blunt.

"You're bored? What did you expect?" Alina said. She was painting a still life of the engine room, of all things. Alina planned to capture the entire voyage in acrylics, and had been given a special weight allowance for supplies.

"I thought there would be more . . . social life," Stacey said.

Alina snorted. "There's plenty of 'social life,'" she said. "The weekly poker game . . . no, you're not ready for that. But come to our book group. We read all kinds of things, and eventually we'll let you choose the book. But maybe not Vampire Werewolves on Mars, okay?"

"Very funny," Stacey said. But she read that week's book, and the next. She was shy about venturing her opinion at first, but then she realized they all teased each other. That's what made it fun.

It wasn't enough, though. The next time Stacey and Alina had the exercise room to themselves, she asked Alina when she'd decided to become a painter.

"I didn't decide," Alina said, panting slightly. "My mother gave me paints when I was six. She said I was already a painter before that."

"But how did you know that's what you wanted to do? And why come out here? Except for the fly-bys, the scenery won't change much."

"Always the questions," Alina said, smiling. "I'm capturing the voyage, the journey. Photographs, they're not the same. I will show the world how I see it. Sofia, she captures the journey in music. Gerald pins down the science. The others, I don't know well yet. But why are you here?"

Stacey sighed. "You can't tell anyone, but I think maybe I ... just wanted the attention." It was hard to say that out loud, even to Alina.

Alina didn't laugh. "It's okay," she said. "You just find a new answer for why you're here, and make it true. Keep asking questions. We have how many months left? Before we're done, you learn every person on this ship."

"Get to know them, you mean?"

"Yes, and more. I do my portraits -- the passengers, the ship -- and Sofia does hers, her way. You will do this too -- you make a ‘portrait’ of everyone on this ship."

"But Alina, half of them won't even talk to me," Stacey protested.

"You make them talk. You find out about them ahead, then ask them good questions. They'll talk." Alina looked hard at Stacey. "Don't wish this away, rich girl. Ten years from now when you are a person, you don't want to realize you wasted this trip."

Stacey thought about that. What did Alina mean, when Stacey was a person? What was she now?

She looked up her shipmates. The communications lag back to Earth was noticeable now, but the ship had a cached version of the Net. These people had actually done some interesting stuff. Captain Tomlinson, for instance, had been the first person to set foot on Europa, before she'd left NASA for space tourism.

But maybe Stacey should start with someone less intimidating. The next morning, she poked her head into the hydroponics lab where Landers -- Alina was trying to nickname him "Sprouts" but it hadn't stuck yet -- was poking around with some seed trays. He was a kind-looking man with gray hair at the temples.

"Knock knock," Stacey said.

Landers looked up, confused until his mind switched gears. "Oh. Stacey. Can I help you?"

"I was just wondering," Stacey began. "If maybe you could tell me about your plants?"

"Sure," Landers said. He actually looked glad for the company. "C’mon in."

- The End -

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Sunday, December 13, 2015

Pop-Up Microfiction: Endless Suite

Tired of The Nutcracker? This little piece of pop-up microfiction says that you might not be the only one. A slightly different version of this story was originally published by Apex in December 2013, as the third place winner in their Christmas horror microfiction contest.


I couldn't resist mentioning the Houston Ballet....

Creative Commons License
Endless Suite by Amy Sisson is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.


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Monday, October 5, 2015

Pop-Up Microfiction: That'll Learn 'Em

I hope you enjoy this little pop-up piece of microfiction. It's an embedded PDF that can be clicked to enlarge or download. (I promise it's clean; I don't have the slightest idea how to embed nastiness into files! It took me about two hours just to figure out how to get this in a post.)



©2015 by Amy Sisson. Free to share with correct attribution. Read more!